The Bass Centre Frankenstein Bass

UK/EU Price:  £495.00 - Inc. 20% VATExport Price - USA/Australia/Worldwide: £412.50

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John Entwistle, 1944 - 2002

Frankenstein Unbound!

Who bass legend, John Entwistle, was a very good friend of The Bass Centre's - from our early days in Wapping High Street right up to his untimely passing in 2002 - and his personality, wicked sense of humour and astonishing talent will always be sorely missed. So, with the new British Bass Masters Series "Frankenstein" Bass, we are proud to pay tribute to the most iconic, influential and - damn it, yes! - THE greatest bass player of all-time.

Renowned for using a LOT of basses, one instrument stands out from the rest of John's incredible collection, if only because of its unique origins. The beast affectionately dubbed "Frankenstein", famously assembled from the remains of a number of "dead" instruments, was his main stage & studio axe from 1967 to 1971, the golden era during which The Who released their classic albums "Tommy", "Who's Next" and "Live At Leeds" and cemented their reputation as one of the World's greatest live rock 'n' roll bands.

In 2003, a year after his death, as testament to the reverence in which John and this particular bass are held, the original Frankenstein went under the hammer at Sotheby's in London, for an astonishing £62,400 ($100,000)!

Sporting a gorgeous salmon pink finish - as its namesake was eventually refinished in the mid 70's - our Frankenstein model may not have been brought back from the dead, but it does feature period accurate looks, cool retro features, an authentic growling tone, a super fast, satin finish neck... and a considerably more affordable price tag!

The Bass Centre Frankenstein Bass Features

  • "Super Slim Sixites" neck profile
  • Light weight, balanced body contour
  • Vintage spec pickup
  • Classic salmon pink finish
  • Chrome "Ashtray" bridge cover

With its cool retro features, authentic sound, superb build quality, flawless finish and expert set-up, the Frankenstein Bass is another super-affordable, pro-grade instrument from The Bass Centre that seriously represents astonishing value for money.​

Model Bass Centre Frankenstein Bass
Body Basswood
Finish Salmon Pink
Neck Satin Finish Maple with "Super Slim 60's" Profile
Fingerboard Maple with Pre-CBS-Style Clay Dot Markers
Frets 20 Medium Nickel Frets
Pickup Passive Vintage-Style Split Single Coil
Controls Master Volume/Master Tone
Tuning Machines Chrome Vintage-Style, Open-Gear Tuners
Hardware Chrome "Ashtray" Bridge Cover, 4 Bolt Chrome Neck Plate, Chrome Control Knobs
Bridge Vintage-Style Roller Bridge
Pickguard 3-ply Vintage Mint-Green
Scale Length 34" (864mm)
Neck Width at Nut 40mm
Neck Width at 12th Fret 57mm
Neck Depth at 1st Fret 20mm
Neck Depth at 12th Fret 22mm
String Spacing at Nut 11.5mm
String Spacing at Bridge 19.5mm
Weight 4.1kg (9.0lbs)
Strings Bass Centre Elites Player Series Nickel Plated Roundwound Standard Gauge .045 - .065 - .085 - .105
Extras Bass Centre Padded Gig Bag
Warranty All Bass Collection instruments come with a 1 year warranty
Origin World Musical Instruments Co. Ltd. • South Korea

"It's Alive... It's Alive!"

Throughout his life, John Entwistle was renowned for his eclectic choice of instruments, but few of them are as celebrated - and none quite as unique - as the "Frankenstein" Precision Bass that was his main weapon of choice for the Who's stage & studio work from 1967 to 1971.

Ostensibly, Frankenstein appeared to be a 1965 three-colour sunburst Fender Precision with a maple neck (serial no. 13081), but its origins are far more arcane. Just like Mary Shelley's renegade scientist, Entwistle actually brought life to this unholy beast himself, from the remains of a number of dead basses - including two rare 1966 UK only limited edition "slab" body P-Basses - during down time on The Who's 1967 US tour.

As John explained...

I had a day off in San Francisco once and spent it screwing a bass together from five smashed Precisions including a couple of slab ones, of which they only made about 20. I took the pickup and scratch plate from one of the slab Precisions, the neck from another, machineheads from a Jazz Bass, the body off a sunburst Precision and the tailpiece from another... Two hours with a Phillips screwdriver and a soldering iron and I was running around my hotel room screaming “It’s alive! It’s alive!”

Thus Frankenstein was unleashed!

The scavenged bass was used prominently (through his awesome Hiwatt rig) for the next four years, a period during which The Who conquered Woodstock, became renowned as one of the World's most incendiary live acts and released their breakthrough rock opera "Tommy" as well as the stone-cold classics, "Who's Next" and "Live At Leeds", one of the all-time great live rock 'n' roll albums. So when you listen to John's fluid, melodic lines driving "Pinball Wizard" and "Won't Get Fooled Again" or his corrosive, snarling solo on the Leeds' live cut of "My Generation", that's Frankenstein you're hearing, in all its feral glory.

Although Entwistle retired the bass from onstage work in the mid 70's, at which point he had it refinished from sunburst to salmon pink, he remarked in a 1994 interview with Bassist magazine... “I have about 35 Precisions, all with different colors and from different eras, but I always go back to Frankenstein.”

Many of John Entwistle’s belongings and personal effects were auctioned off after his untimely passing in June 2002, including his incredible instrument collection. Frankenstein itself went under the hammer at Sotheby’s Auction House in London in May 2003, where it was expected to fetch something in the region of £5,000 to £7,000... after heated bidding, the bass eventually sold to an anonymous American buyer for a staggering £62,400 ($100,000).

Of course such a high price tag isn't so staggering when you consider that John's legacy and influence as a musician remains so strong. in 1999, Musician Magazine crowned him "Bassist of The Millennium" and, in a 2011 Rolling Stone reader's poll, holding his own against a whole new generation of amazing players, he was still voted the #1 bass player of all-time.

Quite simply, John's effortless cool, unique personality and his truly groundbreaking reinvention of the role of the bass in modern rock music make him one of a kind and, with The Bass Centre "Frankenstein", we are proud to pay tribute to an amazing musician, a genuine, gentlemen rock 'n' roller and a good & valued friend.



Frankenstein in original sunburst finish at the Isle Of Wight Festival, August 1969

On the cover of a rare Brazilian re-issue of the classic 1970 "Live At Leeds" album

Going, going.... gone. Under the hammer at Sotheby's Auction House in May, 2003

The Who caught on film for the Rolling Stones' infamous "Rock & Roll Circus", London 1968

The full force of Frankenstein on stage at the University Of Leeds, 14th February 1970

Rocking a fringe leather jacket - proof positive that he was ALWAYS the coolest man in the room

John showing off Frankenstein in the 1980's - restored and re-finished in glorious salmon pink

John Entwistle In Action With "Frankenstein"

No doubt due to his legendarily stoic presence on stage - and to the considerably more energetic performances given by his fellow bandmates - camera men filming Who concerts did tend to focus more on Roger Daltrey, Keith Moon & Pete Townsend than on John Entwistle!

Nevertheless, even if you don't see so much of him in these clips, you can sure as heck hear him unleashing the raw power of Frankenstein.

"My Generation" - The Who tear it up live at Woodstock, 1969

The Who close their epic show at The London Coliseum, 1969, with suitable bombast

Average Rating (1 Review):  
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Superb Instrument
Monday, 25 September 2017  | 

I'd dealt with The Bass Centre back in the Wapping days and knew that Barry wouldn't be selling his Bass Collection instruments if they weren't worth putting his good name and reputation behind. I was curious to see just how good they are and, on the strength of the Frankenstein bass that has just arrived, the answer is 'BRILLIANT'.

The neck is wonderfully slim, straight as an arrow with very nice fretting and plays great with the satin finish. The slightly thinner depth basswood body makes for a lighter guitar than my regular Fenders, but without any loss of snap or sustain. The electronics and hardware are more than adequate and it does all that you could ask of a P-Bass, while giving you scope to upgrade and customise if you want to.

The fit and finish is excellent with a flawless paint job. The gig bag is also nicely made. All in all, this is the best budget bass that I have played in many years and really would put many far more expensive P-Basses to shame. The price point seems ridiculously low for what you are getting (and no, I'm not related to Barry!).

If this is a typical Bass Collection instrument then I would recommend them to anybody.

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